I had Bobbin Boy, maker and fixer of wheel parts, make a distaff; three more bobbins; and a second peg to hold the flywheel in place. He did an excellent job, although saying the name “Bobbin Boy” makes me giggle.
![Plain pale spinning wheel parts on a wooden table.](https://i0.wp.com/www.graysonosborne.com/wp-content/uploads/2023/12/IMG_1322.jpg?resize=750%2C1000&ssl=1)
I stained them myself. Thanks to Adam at my local Ace hardware for talking me through how to do it.
![Stained bobbins and peg laying on a drop cloth.](https://i0.wp.com/www.graysonosborne.com/wp-content/uploads/2023/12/20231205_121630.jpg?resize=750%2C1000&ssl=1)
![Stained distaff laying on a drop cloth.](https://i0.wp.com/www.graysonosborne.com/wp-content/uploads/2023/12/20231205_121633.jpg?resize=750%2C1000&ssl=1)
The finished wheel is gorgeous.
![Spinning wheel against a white background.](https://i0.wp.com/www.graysonosborne.com/wp-content/uploads/2023/12/20231205_174017.jpg?resize=750%2C829&ssl=1)
It spins like a dream, too. It’s very quiet, quieter than my modern wheel. (My modern one, an Ashford Joy, doesn’t make a racket or anything. But the JOS barely makes a sound unless I accidentally clank the treadle against the footman.) I plan to use it a lot.
Here’s a snippet of video, in which I’m drafting from the fold. As you can see, I’m storing my wool on the distaff.
My first project, which I began this evening, is going to be a woven wall hanging based on early American coverlets. These blankets were everywhere from the colonial period though the early/mid 1800s, usually woven on a 4-shaft loom. The backgrounds were undyed white wool. The foreground, an overshot pattern, was typically blue, dyed with indigo. For a little more information, check out this page on the James Madison Museum site.
![Blue and white blanket.](https://i0.wp.com/www.graysonosborne.com/wp-content/uploads/2023/12/3f3988_ece063c762cd498c8174aad342563cc2mv2.webp?resize=750%2C572&ssl=1)
My wall hanging will be much smaller, maybe 9×12″. I’ll use a weaving draft (a pattern) appropriate for the time period.
Technobabble for my fellow weavers: I’ve decided to experiment a bit with yarn structure, which I’ve been wanting to do anyway. I’m Z-spinning the wefts woolen-style (although I’m doing it from the fold, as I’m too lazy to turn my top into rolags). The warp will be spun S in worsted style for strength and smoothness. I don’t know if that’s how they did it in early America, but I’ve wanted to try it since I first learned that prehistoric textiles often had these two types of yarn for warp and weft respectively. (They did it on spindles, obviously. I’m clashing my time periods. I don’t care.)
I do spinning commissions occasionally; I’m offering to my client to spin their yarn on this wheel, just for the history nerds who want to be able to brag a little.
So yeah, I’m really happy. Thanks again to R.B., the woman who generously gave me the wheel!
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